Super Secret Commercial VO Workshop
in-person with Danny Palmer
and Jessica Geffen
$75 - Only 10 Spots Available

About Danny Palmer:
Danny Palmer is an acclaimed creative + art director and producer whose portfolio includes collaborations with industry giants like Nike, Alaska Airlines, American Express, Puma, Wieden + Kennedy, Ford, Google, and more.​He is an optimist, smart ass, sucker for side projects, showrunner, cat dad, unashamed owner of a label maker, more Cuban than he looks.​
DannyProse.com
Join us in-person at The Sound Stage
Saturday, January 31, 1:00-4:00PM
A rare chance to work with a real ad agency creative director in the room -
and experience commercial direction
the way it actually happens.
You’ve trained. You’ve auditioned. Maybe you’ve booked.
Now it’s time to work the way real commercial jobs actually happen.
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Join ad agency creative director Danny Palmer (Nike, Google, Ford, Alaska Airlines) live and in person at The Sound Stage for a rare, behind-the-scenes commercial voice over workshop - with Jessica Geffen in the booth helping you execute at a professional level.
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This class is designed for voice actors at any stage who want:
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Clearer direction
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Stronger audition choices
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A better understanding of what clients are actually listening for
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You’ll work with a real commercial script, receive live client-style direction, and leave with a clean, professionally edited take you can reference in future auditions.
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What You’ll Get
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A real-world commercial script and brief
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Live direction from an ad agency creative director
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Hands-on support behind the mic
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One fully edited final take for your records
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Insight into how creative directors think, listen, and choose talent​
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How the Session Works
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Each actor receives focused time in the booth with Danny and Jessica:
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Round 1 - Explore tone, POV, and intention
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Round 2 - Execute final takes as Danny makes client-style selections
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This is not about “perfect reads.”
It’s about making smart, bookable choices under direction.
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Optional Q&A
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Stick around after the workshop for an optional Q&A to ask questions about:
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Commercial auditions
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Working with agencies and creatives
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What separates solid reads from bookable ones
